How to Dress Like Daisy Edgar-Jones This Summer

Reported by Vogue.

Street style moodboards have spent years recycling the same rotating cast — Zoë Kravitz in The Row, Dakota Johnson in expensive denim, Kaia Gerber in Repetto flats. Reliable, yes. But lately, a different kind of dressing has been quietly stealing focus. Daisy Edgar-Jones and her wardrobe of colorful knits, breezy dresses, and spot-on layering are commanding as much attention as her red-carpet moments — including that Alexander McQueen Met Gala gown. Here's how to translate her off-duty energy into an actual summer wardrobe.

The Formulas Worth Stealing

Start with the easiest one: white jeans and a bright knit. It reads fresh without trying too hard — cool-girl minimalism with just enough color to skip the floral dress entirely. Anchor it with pointed slingbacks (Manolo Blahnik's Carolyne remains the benchmark) and you're done. Equally low-effort is the all-white look with a leather jacket thrown over the top — the jacket does the heavy lifting, pulling a white tank-and-jeans combo away from anything that could be described as "crisp." Tie a colorful knit around your waist if you want the full Edgar-Jones effect.

For those willing to commit to a trend: capris are back, and according to Vogue, calves are officially the new erogenous zone. Love them or not, the silhouette is making serious moves on and off the red carpet this season. The move is to keep everything else clean — white button-down, pointed pumps, nothing fussy. Meanwhile, the ballet flat and midi dress combination continues to earn its place as a year-round formula. Linen, a lightweight knit, flat shoes — it works at Cannes, it works after three Aperols in New York. The math is simple.

Two more worth bookmarking: straight-leg jeans with a cropped blazer or asymmetric trench for a dose of preppy polish that doesn't veer into costume territory, and a minidress under a blazer for evenings when the weather — or the night itself — is unpredictable. Contrasting pumps sharpen the whole thing into something that looks intentional rather than layered out of necessity.

The thread running through all of it? Ease with a point of view. Nothing is overthought, but nothing is accidental — and that balance is exactly what makes Edgar-Jones's wardrobe feel worth paying attention to right now.

Read the original at Vogue.