Bella Hadid Is Making Cannes Film Festival a French Riviera Girl Summer—With a Vintage Wardrobe To Match

Reported by Vogue.

Bella Hadid owns Cannes the way some women own a room — effortlessly, undeniably, every single time. From cut-out Tom Ford–era Gucci to gilded Schiaparelli on the red carpet, her Croisette track record is essentially a masterclass. This year, she's doing something arguably more interesting than dressing for cameras: she's dressing for herself, moving through the French Riviera in a wardrobe of archival pieces so considered it feels less like styling and more like time travel.

The opening looks set the tone immediately, according to Vogue. Spotted leaving the legendary Cap-Eden-Roc hotel in Antibes — dancing on the jetty, naturally — Hadid wore a pink gingham crop top and low-waisted co-ord from Chantal Thomass spring 1988, accessorized with Chopard bracelets, a Shay pavé diamond pinky ring, and pale pink pointy pumps. Sweet, retro, zero effort to impress. She later arrived at Nice Airport in Prada Sport spring 1999 — a silver-blue sleeveless zip-up and capri set — with Puma Speedcats and a vintage Prada bag. A girlhood fantasy, executed with precision.

The Vintage Economy Behind the Looks

The real story is in the sourcing. Stylist Mimi Cuttrell pulled a dusty rose Alaïa spring 2003 halter dress — keyhole neckline, drop waist, butterfly-wing hem — from Paris-based vintage house Emerieu, whose archive spans Galliano-era Dior, Chloé, and multiple colorways of the very same Alaïa. Founder Mathilde Gaudier put it plainly: "Few designers understood the female form the way Azzedine Alaïa did." Hadid paired it with a vintage Prada crochet tote from The Vintage Marché (also beloved by Kendall Jenner and Hailey Bieber) and snakeskin Manolo Blahniks sourced from Shop Élléments. Nothing here was grabbed off a rack — every piece was hunted.

For Hotel Martinez, Hadid surfaced in Elie Saab couture spring 2003: an icy blue silk top and scarf set with a crystal floral print, low-waisted silk flares, matching pointed pumps, and wraparound brown-lensed sunglasses. Gold bangles, smoky stone earrings. The kind of outfit that makes a hotel lobby feel like a film set.

What Hadid and Cuttrell are building in Cannes isn't just a red carpet moment — it's an argument that vintage, worn with actual intention and sourced from people who care about provenance, is the sharpest fashion statement left.

Read the original at Vogue.