Bella Hadid Always Goes Deep With Her Vintage Finds

Reported by Harper's Bazaar.

Bella Hadid has turned the 79th Cannes Film Festival into a one-woman vintage archive excavation, and she is not letting up. According to Harper's Bazaar, in just the past week she cycled through a baby-blue Prada Spring 1999 set, a bedazzled Elie Saab Fall 2004 Couture gown, and a gingham bra top with matching capris from Chantal Thomass's Spring 1988 collection. That's not a mood board — that's a thesis.

The Safari Dress That Broke the Riviera

For a seaside lunch at Restaurant La Guérite, Hadid — working with stylist Mimi Cuttrell — arrived in a '90s-era Jean Paul Gaultier halter dress that read less "fashion archive" and more "extremely chic park ranger." The two-tone construction did a lot: a chocolatey silk bodice with faux utility pocket flaps transitioned sharply into a khaki linen skirt, complete with a cinched matching belt and actual side pockets. It was structured, unexpected, and deeply committed to its own bit.

The accessories didn't break the spell — they deepened it. Metallic gold Jimmy Choo Lova sandals, oversized hoops, stacks of chunky bangles, gold-rimmed sunglasses, and a tan shoulder bag all leaned into the warm earth tones of the dress rather than fighting them. The final touch: a pendant necklace that looked like two teeth knotted together, dangling at her sternum like a trophy from a very stylish expedition.

What makes Hadid's vintage pulls consistently compelling isn't just access — plenty of people can get their hands on archival pieces. It's the editorial coherence she brings to each look. Nothing reads like a costume. The Gaultier felt alive, worn-in, chosen rather than curated. There's a difference, and most people can't fake it.

Cannes will come back every year, but a red carpet run this historically literate — and this visually sharp — is rarer than it looks. The real takeaway: vintage only works when you wear it like you owned it all along.

Read the original at Harper's Bazaar.